Kyoko Otonashi is a 22-year-old widow. Six months have passed since the sudden death of her husband, Soichiro. In her resolve to move on, she has recently taken over the management of a boarding house owned by her father-in-law. She now finds herself reminiscing about the few seasons that she and Soichiro had together, and about the first time that she saw him: when he became her geology teacher during her final year of high school. This prequel is the third and final OVA released after the conclusion of MAISON IKKOKU, an animated series based on the manga by Rumiko Takahashi. The past events are retold through flashback sequences using scenes from the television series, with narration by Sumi Shimamoto as Kyoko.

插画师Cherry遇到恐男插画师Virgin，受动漫影响的他们开始约会并建立关系，最终分手。

插画师Cherry遇到恐男插画师Virgin，受动漫影响的他们开始约会并建立关系，最终分手。

Japanese culture - especially the popular music scene - can be a surprising, often disorienting crazy quilt of austere, ancient traditions, futuristic experimental music and crass, glitzy pop. Adding to the mix is the fervent embrace by Japanese of such foreign music styles as rock, blues, jazz and even country music, not merely as fans but as tenacious practioners.

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A disgruntled scientist is fired from his job; slipping into madness, he invents a machine which harnesses the airwaves and can shoot people through the TV screen.

朱莉的生活是完美的，有一个充满爱的家庭、朋友和钱，但在她18岁生日后不久，一条短信永远改变了她的生活。

朱莉的生活是完美的，有一个充满爱的家庭、朋友和钱，但在她18岁生日后不久，一条短信永远改变了她的生活。

In this parody of documentaries, host Martin Mull discusses the contributions that white people have made to the USA, visits the Institute of White Studies, and follows a typical white family as they go about their everyday lives.

The horrible truths behind Japanese Fairy Tales from the ancient times are finally revealed! This title includes three episodes: "The Monkey and the Crab", "Click-Crack Mountain" and "Urashima and the Kingdom beneath the Sea".